Okay, what’s next?

I’m back from Directors Lab West! Helen of Troy is back! My days of hyper-dreaming with the brilliant Megan Cohen are back!

Every Saturday in June, Megan and I are back in our strange, surreal Helen-land, in which all things are possible and we’re going to take over the world. No kidding, it’s true. I am constantly amazed by how productive we are without even the hint of a roadmap. We met up for a delicious brunch on Saturday morning (inspiration covered in ketchup is the very best kind of inspiration), and by the time we’d finished our eggs, we had figured out a radical model of sharing this crazy new play so that director-dramaturgs of future productions would be constructing Helen just as much as we are, with our disco-ball moments organized into specific fragmented versions of Helen that can be played by 1 to 100 actors. Instead of publishing a script, we’ll make the construct-your-own-Helen-of-Troy PLAY KIT available online under a creative commons license. Every time I turn around, this thing gets even more out-of-the-box. I am so jazzed!

When we finished our tea and coffee, then we really got down to business. We never have a “plan,” but just asking “okay, what’s next” generates hours of incredible productivity. Between 11AM and 6PM, we reinvented our producing and publishing model, brainstormed on the online interactive component of the piece, dreamt about a 3-city simultaneous world premiere (12PM San Francisco, 3PM New York, 8PM London, all the time online everywhere oh my gods), and waded through about half of the 170 little bits of disco-ball text we’ve generated, beginning to structure the script into these 5 fragmented Helen characters (oh yeah, which we also defined that afternoon).

Who knows what we’re doing next time, but I bet it will be revolutionary.

Also coming up:

  • Dirty Laundry, a coproduction between Inkblot Ensemble and The Collaboratory. I’m directing this devised physical theater piece based on Federico García Lorca’s laundrywomen scene in Yerma, exploring themes of gossip, cycles, clean & dirty, sin & purity, and women’s work. August 10 & 11 work in progress performances at the EXIT Theatre.
  • Strindberg Cycle: The Chamber Plays in Repertory at The Cutting Ball Theater. I’m assistant directing these five plays (Storm, Burned House, Ghost Sonata, Pelican, The Black Glove) under Artistic Director Rob Melrose. We’re workshopping the new translations by Paul Walsh this June/July in RISK IS THIS…The Cutting Ball New Experimental Plays Festival, and you can catch the full production in October and November. This will be the first time the five Chamber Plays have been produced together in any language, including their original Swedish.
  • The San Francisco Olympians Festival is coming this December to the EXIT Theatre. If that feels far away, you can catch a few snippets on Friday, June 15 at Booksmith, where we’ll be celebrating the book launch of five published plays from the first year of the Olympians Festival. I’m writing a one-act about Phoebe & Theia, the Titan goddesses of light, and I’ll be directing Barbara Jwanouskos’ take on Hera later in the festival, too.

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